With over 40 releases, you may know him as Uhuru Beats, Croydon Punks Ltd, Masonic Noodles, or the Chicago Transit Authority. Grant’s first release as Tribalation – EP1 on Loaded records got licensed to Strictly Rhythm; the rest is dance music history.
The son of a jazz musician, Grant’s teen years rebelled to the raw aesthetic of punk, but his tastes quickly warmed to the rolling basslines of dancehall and dub reggae. South London soundclashes cemented his love of gritty low-slung frequencies. And then acid house. Down Clink Street, deep underground to Heart and Soul and onto to countless warehouse parties, Grant took his innate appreciation of dancefloor dynamics behind the decks.
Grant’s shared love of the best of Chicago house and Detroit techno started morphing into a sound in the early days that could only be detected in the mix. He’s now widely regarded as a Tech-House pioneer, but his influences span a far broader spectrum – Early disco to post punk – Barrington Levy to Basic Channel with a splash of soul and that inimitable swing.
In 1996, after securing a one-year residency at the Underground Cafe in Sydney, Australia, and a one-year residency at the Red Zone in Auckland New Zealand, Grant embarked on the first ever tech-house world tour alongside fellow pioneers Terry Francis, Mr. C and Colin Dale.
In 2001 Tribalation were voted DJ Magazine’s Best Newcomers. A succession of solo releases followed on key US labels; Tango, Plastic City, Detour, Nightshift, Big Chief, Stupendous, Headtunes, Worship, Leaf and Utensil Recordings and Visitor. Grant was soon spending most of his time stateside collaborating with the likes of Tony Hewitt, Jay Tripwire, Tyler Stadius and Adam Collins.With his tracks finding their way onto mix compilations by Fabric, Renaissance, Tyrant , Nu Breed Global Underground ,Turbo Recordings, La Terrazza and DC-10 in Ibiza, Grant was soon spinning his wares everywhere from Canada to Costa Rica and Brazil to Buenos Aires. In the UK, his remixes for Hooj Choons and releases on Bosh, Tag, Evasive and Rescue Recordings have extended and enhanced his reputation. We at Bounce House Recordings are extremely happy to have him as part of the family.
For remix work, we enlisted Toronto, Canada’s Hot Lipps Inc., to remix Grant’s “How House” track. The duo have been creating quite a stir the past few years with original work on their own label (Hot Lipps Records). Rounding things out, Bounce House label-owner DK Watts takes a crack at Grant Dell’s “A Nu Africa”, while Amsterdammer Easy Ryan also remixes “How House.”
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Some top support coming from around the globe on this one including Laurence Ritchie (Inland Knights, Drop Music), Da Sunlounge, Al Bradley (3am Recordings), DJ Hal, Greg Fenton, Jay West, Kirby, Luke McKeehan (Nordic Traxx), Q-Burns Abstract Message, Roland Nights (Lost My Dog), Soul Minority and many more.
Advokkat (Groove is in the House, Paris), Dave Law (TEMPO,SOS Radio, London), Deep South Sounds FM, Ireland, Jason Pepperell (Juice FM, Brighton), Joan Ribas (Ibiza Global Radio), Joe Pea (MyHouseYourHouse), Mike Simbell (AMW Radio, Amsterdam), Niki Belucci (Radio FG, Hungary), Ray Colclough (Street Beat FM), Tim Thaler (Berlin FM), Sam McClaren (Toronto), Yiannis Dorakis (RODON FM, Greece), Louis Hughes (Chicago House FM)
Robert Del Femine (Chicago 5 Magazine), Greg Fenton (Magazine Sixty), Russell Deeks (This is why we Dance), Simon (Deep South Audio)